i miss this work so much rn
almost all of the criticism i get is in regards to how my work has changed. i get told my new work feels lazy and everyone wishes i still made pictures like these. to be honest, i do too. if i knew how to take photos like this anymore i would. because i love this work. but i don’t know how to do it anymore. i don’t know who these people are. i don’t know who i was when i shot these. i don’t see the world this way anymore. it makes me really sad kind of because i feel like i’ve lost a point of view or something but i’m hoping it will re-surface in a different way. ok? thank you.
Monet on the Japanese footbridge in Giverny
In 1883 Monet moved from the northwest of Paris to Giverny where he lived until his death. Adjacent to his property was a small pond which he acquired in 1893, where he created a water garden with an arched bridge in the Japanese style. — The National Gallery, UK
The above image, courtesy of the New York Botanical Garden, is based on a black-and-white photograph from The New York Times, dated 1922.
"The Collections". Photographed by Hanna Putz for Dazed & Confused March 2012
Naomi for Yves Saint Laurent Fall/Winter 2008 photographed by Inez van Lamsweerde & Vinoodh Matadin
Her skin though
Device Light shot for Interrupt Magazine
Marc by Marc Jacobs Spring 2015 NYFW
my feminist goal is not to convince men that girls are of value, my feminist goal is to achieve a future where the judgement of our value isn’t in the hands of men.
and this goes for, especially goes for, trans girls, girls of colour, disabled girls and LGBTQA+ girls.
girls, all girls, and if you believe otherwise don’t reblog this.